Director’s Notes:
“Nets are all around us. They materialize such principles as connecting, filtering and patterning. Which is why anthropologists might want to have a closer look at what people do with them and what they do with people. In Bahia, Brazil, I sought out places where people work with nets. I recorded the conversations, emotions and sensations that occur in the presence of nets. I went on a fishing trip with Tico. I spoke with evangelicals, explaining the parable of the fishing net. I hung out with the boys from the Candomblé religion, who have their shirts made of lace. I shivered as I learned how lethal the introduction of a grid may be. I smiled when I heard how a fat man in tight jeans became a frolicking mermaid. And I never stopped wondering how the principles of filtering and patterning play themselves out in my own life – as a filmmaker, as an anthropologist, as a-gay-man-in-love. Keeping alive the tension between openness and closure, knot and hole, grasping and caressing, this film invites its audiences to ponder the observation that all we humans ever do is to impose structures onto life and being, then to find out that neither life, nor being, follow our designs.” – Mattijs van de Port
Mattijs van de Port
Mattijs van de Port is a visual anthropologist at the University of Amsterdam. In his films, all of them shot in Brazil, he keeps returning to realms of transgression – ecstatic religion, violence, eroticism and aesthetics – where humans face the fact that the world does not necessarily comply with their narrations of it. His filmwork includes Saborear Frutas Brasileiras (2013), about the joy of eating fruits and the essay films The Possibility of Spirits (2016); Knots and Holes (2018); The Body Won’t Close (2021). Where Can I Get Lost? will have its European premiere in the 2024 Ethnofest. Van de Port’s films won several awards and prizes, including the prestigious Basil Wright Film Prize in 2021 and the Excellence in Visual Anthropology Award in that same year.